Main menu:

Fill out your email address
to receive occasional messages from Josh!
E-mail address:
Zip code:

Get Adobe Flash player


Categories +/-

Archive +/-

Links +/-

Meta +/-

RSS Feed


Kindly Do the Needful

Ratna in front of the theater

Ratna in front of the theater in Chennai

“Dream as if you’ll live forever, live as if you’ll die today,” advises the late James Dean on a poster mounted in a hallway at the U.S. consulate in Chennai.  As far as I was concerned, his latter point was especially well taken: It was Aug. 14, and I was feeling quite nervous about my first performance in India, which was to take place that evening.  For months, starting back in the States, I had been brooding — though perhaps not with the same photogenic impact as Dean himself — about whether my Berkeley-centric monologue Citizen Josh would work for Indian audiences.  Now the wait was nearly over, and in a few hours around a thousand Chennai-ites would either watch me in mute horror or respond in a warmer fashion.

My guru-looking stage manager, Bob Webb, and I had been ushered through extensive security by Ratna Mukherjee, who has been working at the consulate for over a quarter century.  I have heard people spout various theories about who might be the most powerful person in India (Manmohan Singh, the scholarly prime minister?  Sonia Gandhi, the influential widow of the former P.M.?) — but I suspect that it’s Ratna who really runs the country.  She knows everyone, has everyone’s phone number, and probably knows where all the bodies are buried (or floating).  She’s the fixer: most often, she can be seen back in the corner of the room, hand discreetly covering her mouth as she explains to someone that — no matter what anyone may have told him — he must send a car to pick us up right away.  She is also one of the most charming people I have ever met.

In fact, I’d have to say that the consulate staff, as a group, are quite a friendly lot.  Ratna’s boss, Ragini Gupta, is another warm, sweet person (her husband also works there) — and, though I met him only briefly (after the performance), Consul General Andrew Simkin struck me as a kind and gentle soul as well.  Bob and I were looking through the consulate’s library for a bookcase suitable for our little set, and both of us were impressed by the range of titles — from Jack London to Ishmael Reed.  About a month before our visit the consulate had hosted a series of events on gay, lesbian, and transgendered subjects; a sweet intern from the University of Washington told me how amazed and delighted she was, just after arriving there, to be coordinating a reception for a group of transgendered Indians — not how she had pictured life in the Foreign Service!  I thought: To all my fellow Berkeleyites who complain about how our tax dollars are spent (war, corporate bailouts, etc.), here was a government institution to warm our progressive hearts (along with, you know, public schools, libraries, hospitals, transportation …).

But I also thought: Yikes! Because the hour of my first performance was approaching, and I still had no real idea how Indian audiences were going to receive it.  And that’s when the U.S. consulate’s entire computer system went down.  Ragini had just asked me if there was anything else I needed, and I had kind of jokingly responded that it would be cool if I could run through the piece with the consulate’s staff.  So she got on the P.A. system and announced that, since there was no work that could be done at the moment, people should feel free to come to the auditorium, where a run-through of Citizen Josh would shortly commence.  And that’s how I got to try out the first half of the show for a mixed audience of Indians and Americans — which greatly relaxed me for that evening’s performance.

After the run-through, consulate staffers filled me in on some of the local lingo — often a mixture of Hindu and English (Hinglish) or of Tamil (the official language of the southern state of Tamil Nadu) and English (Tinglish).  My favorite such phrase — which I’d already encountered in emails from Ratna — is Kindly do the needful.  (Is there a nicer way to ask for something important?  I think not.)  There’s also prepone, the opposite of “postpone” — as in, Actually, I already have a meeting at 6, so why don’t we prepone it to 5? And What is your good name? — which means, well, “What is your name?” but has a little bit of sugar on top.

A car — arranged by Ratna, of course — took us back to our hotel, where we passed by several truly inspirational signs: WORK IS WORSHIPLOVE CALLS FOR A RESPONSE OF LOVE.  A GOOD THOUGHT IS LIKE FRAGRANCE.  I had been casting about for a reference to replace Isadora Duncan (in a joke about how physically graceful my friend Brian Weiner is).  Ratna had suggested the famous classical Indian dancer Anita Ratnam — and then immediately dialed a number on her magical cellphone; a few moments later she had arranged for Ratnam and her daughter, who live in Chennai, to attend my performance!

Children at the Kapaleeshwarar Temple

Children at the Kapaleeshwarar Temple

The show that evening seemed to go very well (as did the joke), and afterwards I briefly met the stunning Ms. Ratnam herself.  It was with great relief that Bob (who had done an amazing job of getting the show set up) and I returned to the hotel for a brief rest.  The next day Ratna took us to the glorious Kapaleeshwarar Temple (you can see my little video here) and I led a storytelling workshop for some very talented theater students and professionals.

And then, just like that, it was time to depart for Kochi — as we began to work our way north.  At the airport, Bob and I jokingly — but also sincerely — begged Ratna to join us on our continuing journey.  Like a benevolent but weary mother sending her reluctant offspring to their first day at preschool, she just smiled and waved us toward the ticketing counter.  Life without Ratna, we knew, would be a challenge; but in all fairness, there were many others coming through Chennai who would need her magical help — doing the needful, firmly yet always kindly — just as much as we had.

[More India-trip blogging to come.  Right now I’m in Kolkata, where I’ll be performing at the American Center this evening at 6:30.]

Please Help Us Make Our New Movie!

My brother Jacob and I — who only a few short years ago collaborated on the movie Haiku Tunnel — are now working on another film, titled Love & Taxes.  It’s a sequel, of sorts, to Haiku, since it also stars me and will have many of the wonderful people working on it who were in our first film (along with a bunch of new wonderful people).  And, like Haiku, it is based on a theatrical monologue of mine — this one done in collaboration with my theatrical director, David Dower.

Working with producer Raub Shapiro, Jake and I have already done a “test shoot” of a short sequence from the film — and if my blogging skills are up to it, you can see the resulting clip (still in “rough cut”) right here:

We’re planning to shoot this film (at least to start with) as a sequence of these “test shoots” — with our hope being that they will be of good-enough quality to make up the actual movie.  And we’re trying out a new technique of raising money and awareness for our projects — by making use of a cool new website called IndieGoGo.

It would be hecksa-fantastic if you would take a few moments to click here and go to the Love & Taxes IndieGoGo page.  There (starting in the left column) you can (if you wish) donate to the production (and get a cool “perk”!), and/or sign up as our “Friend” (which, besides helping us greatly, entitles you to see the “private” documents on our page), “endorse” us, rate our project — any way that you’d like to become part of our process.

This is an exciting (and somewhat scary) experiment to see if we can make use of the power of the Internet (and of our friends) to grow a feature film entirely from the grassroots.  If we can raise $15,000 this way, we can go ahead and do another “test shoot” — an action sequence involving tax law!  (Bet you haven’t seen that before, either!)

So if you can, please do check out our IndieGoGo page — and become an integral part of creating a cool new independent film!


Coffee Party?

Patriot Mug

Patriot Mug

Given my self-documented misadventures in the bowels of the U.S. tax system, it should come as little surprise that I am late in filing even this little blog item about tax stuff. In fact, I’d count it as a victory that I’m posting it so soon after Tax Day.

Back on the 15th, people had those “tea parties” — and yes, they seemed quite silly, and the “protests” looked suspiciously like pre-fab events born in the boardrooms of right-wing think tanks and Fox News (which I guess could count as a right-wing no-think tank). And yes, I was predictably infuriated by this latest salvo from the toxically successful anti-tax movement that — ever since its angry birth in 1978, with the sweeping victory of California’s Proposition 13 — has helped decimate all the public institutions I love (schools, libraries, public transportation, etc.: all those cool public things that Ben Franklin introduced to us). And yes, I heartily agree with every point made so pithily by Robert Reich in the latest entry of his wonderful blog, titled “A Short Citizen’s Guide to Kooks, Demagogues, and Right-Wingers on Tax Day.”

And yet. … And yet I have to admit there’s an element of that resentment — that fury — that, albeit incited by Fox and friends’ faux populism, rings true to me.  In this sense: As passionately as I support Obama’s presidency (I’m writing this on a day when, for example, his administration has recently declared carbon emissions to be harmful and publicly released the previous administration’s unforgivable “torture memos”), a significant part of me also worries about the continuing aggregation of centralized power in the Beltway and (some) corporate suites.  It’s one of the ironies of liberal democracy, I suppose: as someone (who was that?) once said, it’s the worst possible form of government — except for all the other ones.

So of course, it’s silly — and worse — for people to talk of secession because the majority of Americans happened to disagree with them this time.  But in many important ways, “the people” don’t have the power.  After years of living underwater, we’re happy just to be near the shore — with a semblance of the basic functions of government being reasserted.  But many, many people are still drowning — poor, marginalized, sick — and it is not unreasonable for them to be agitated.

Still, those shindigs two days ago weren’t real “tea parties” — not in the revolutionary sense, anyhow — since their ire wasn’t directed at the true source of their monetary and political impoverishment: the actual “elites” (the folks who actually have almost all of the money and power) rather than the fake ones that Rush and co. had conjured for them.  So … how’s about this:  a “coffee party”!  (I sense that “klatch” might come off as too foreign).  There’s already a “fair trade” movement to latch on to, focusing on paying a just amount for people’s labor.  Follow the beans, my friends, and you will follow the money.  Plus, if you cover yourselves with coffee grinds, rather than tea bags, I’m pretty sure your protests will have even more of an edge to them.  And no one from the the 18th century will be tempted to claim trademark infringement.  It’s a win-win, especially if you leave room for cream.